|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
Monuments
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
___If
I reached out my hand and held the moon within it, would it burn me? Is its
bright face hot or cold? Would it, perhaps, freeze me so that I would quickly
let go and drop it in its old track? Would it scold me, then, in its dusty old
voice for having been so bold?
___It is by the moon's cool light only that I write
these musings, so perhaps he would just gaze down upon my tiny form, then smile
and sail away. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
___In
my journey to find my sacred place, I find myself standing once again on the
rim of Monument Valley, looking at the famous scene of sandstone towers and
rust red canyon first by ruddy sunset light and then, as the full lunar face
rises up over one of the Mittens, under a chill moonlight. I have been here
before, the first time almost a quarter century ago.
___It
strikes me now, that if the stone towers could speak to me they who
have stood mute through millions of such sunsets they would say, "Stay
still, little one. You were just here a second ago, weren't you? Slow down
so that we may appraise your form."
___If
they do speak such things, their voices are too slow and deep for my small
ears.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
___The
road leads me on into Utah, past the San Juan River and its gooseneck canyons
and up onto Cedar Mesa and the view from Muley Point, a thousand feet higher.
___Heading
north to cross the northern edge of Lake Powell, I drive alongside the White
Canyon. It must run for 30 or 40 miles and one gets a glimpse every so often
into its astounding white sandstone channel as you drive the highway. Every
section of that canyon is similar in many ways, but I find myself looking
at each window view and wondering with some longing to see just what is in
that turn of the canyon and what may be in the next turn. The canyon calls
and teases and then hides once again. It is a teaser and a dancer.
|
|
|
|
|
|
|
|
___The
Dirty Devil River
___I
camped at the very northern tip of Lake Powell, at a primitive campsite at
the mouth of the Dirty Devil River, where it empties into the Colorado. This
spot is just about where the famed one-armed explorer John Wesely Powell camped
on his first journey down the river. When his party arrived here, he jokingly
asked one of his men if he had found a trout stream. The man looked at the
muddy, convoluted waterway and said, "it's a dirty devil!" Powell said that
would be its name hereafter.
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
___Gazing
out at this twisted and textured landscape, I ask myself, "Why does the desert
interest me? Why does it have a different effect than, say, driving across Ohio
or Kansas?" Certainly, the desert is harsh and calls to mind the counterpoint
with living things that it represents. Certainly, the desert is hot or cold,
but then so can be other places. Maybe it has something to do with what I expect.
When I drive across "normal" places like Ohio or Kansas, I pretty much know
what to expect. I know that I will see fields, farms, trees, grass, towns, and
cities, that all look similar and fit a pattern that man has evoked upon the
landscape.
___In
the desert, things are different - literally. You never know what to expect,
or what may be coming next. It is this novelty that I think makes the desert
so attractive to us. The key to understanding why we like the desert is the
word Curiosity. We are curious animals and the desert is endlessly fascinating
to that part of our psyche because it is always showing us something new and
mysterious and compelling. |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
This
site and all text and photographs within are Copyright, 2002, David P. Crews.
All rights reserved.
|
|
|
|
 |
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |